Emmy winning composer helps UNO students
October 11th, 2013
Omaha, NE – Emmy Award winning composer Larry Groupeâ€™ shared tricks of the trade with a group of students at the University of Nebraska Omaha Thursday.[audio:https://kvnonews.com/wp-content/uploads/2013/10/FINAL1.mp3]
Groupeâ€™ has composed scores for film and television including: Straw Dogs, Resurrecting the Champ and The Contender.
He knew from a young age that he had a knack for music.
â€œMy mom started me really young,â€ he said. â€œI always changed the music as a kid taking piano lessons. I donâ€™t know why, but I just did and it infuriated the teachers of course.â€
At 17-years-old he decided he wanted to be a composer in the entertainment industry. He attended the Conservatory of Music at the University of the Pacific, and he went on to earn his Masters of Music in Composition at the University of California at San Diego.
He began writing jingles after graduation, but decided to put his energy into creating music in Hollywood. Soon, an agent sent him a script from up-and-coming director Rod Lurie. The two worked on several projects together before hitting it big with the Oscar nominated film The Contender.
â€œWhat can often happen with composers is that if youâ€™re attached with a director thatâ€™s moving up and if that director remains loyal to you, which I was very lucky to have Rod do, you in turn you will move along with that director and thatâ€™s a pretty common way to go not that all directors will stick with their composers they donâ€™t but often many of them do because they start building a critical team that seems to understand them and they move forward.â€
As an independent composer, Groupeâ€™ is in charge of selecting musicians to play his compositions. Once he knows which city he will record in, he works with a specialized music contractor to hand-pick and fill-out the key players and string sections.
Although writing music and hiring a band is the tried and true method of recording, Groupeâ€™ said technology is changing the industry.
â€œIt has allowed a lot more people to get into movie music that werenâ€™t necessarily musically trained to begin with. They may be really good on computer technology and they can patchwork a score together so it has allowed a lot of new people to come in which is always good for the craft but itâ€™s also been a very kind of a nutty world because a lot of the people who want to do big Hollywood scores believe it or not canâ€™t even read or write music yet they are credited as the composers for doing these elaborate computer pieces and they have to pass them off to a series of professionals to make them come to life so itâ€™s a really interesting time in that way.â€
Nate Van Fleet, a music performance major at UNO, is a musician interested in film scoring. He found Groupeâ€™s breakdown of the film making process to be the biggest takeaway from the lecture.
â€œI thought it was really interesting. He had a lot of cool examples. You can read about this kind of thing but to get the actual first person perspective from someone whoâ€™s doing it and making a living is cool.â€
Groupeâ€™ said anyone interested in composing for television and film should build their resume by working with local filmmakers.
â€œYou build slowly experiences and short films that you do for students and for emerging young filmmakers and you build it one little film at a time until something starts to click.â€
Groupeâ€™ is prepping to create the score for his first horror film and a new western-themed television series. He will end his lecture series at Oberlin College October 22 before continuing the tour on the West Coast. Groupeâ€™s presentation was sponsored by UNOâ€™s Department of Music.
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